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  • Voigt / Tractrix

    Paul Voigt is credited as the first to use the tractrix equation for horn design.  This was in the late 20's, or possibly early 30's.  In a comment on my first blog, "Seti" mentioned that he was having a hard time finding anything on Voigt.  Here are a few things I found while rummaging thru the archive:  Careful:  it's 4.51 MB. 

  • Two in one day?

    Well, the last image attached, so now I'm gettin brave.  The second item is this horn that stands in our reception area.

    Attachment: horn1.JPG (40241 bytes)

     This horn and driver combination was designed in 1926 by the legendary Bell Labs team of Wente and Thuras (our archives has a correspondence file with Wente).  I've forgotten what the horn model is, but I'm sure some WE enthusiasts will fill in the blank.  The driver is the WE 555, the grandaddy of all moving coil compression drivers.  You will find similar geometry inside of our K-55 drivers, as PWK was VERY familiar with this driver.  At the risk of getting scolded, I will say that the 555 is still virtually state-of-the-art.  It sports a 2 mil aluminum diaphragm, tangential compliance, edge-would aluminum voice coil, near 25% efficiency, and has a smooth (VERY EQ'able) response from 60-8000Hz.  Yes, it does require a larger horn than pictured to get down that low.  Go on eBay most any week and you can pick one up for about $2500. 

     This was initially designed as the Presidential PA system.  By 1928-29 sound was coming to the movies, and this driver became the cornerstone of that application.  If you take a close look at Mel Brooks' "Young Frankenstein", you can get a glimpse of one of these tripod-mounted.  The scene where Fraunkunsteen is enticing the monster back up the cliff. 

     

    Posted Sep 26 2007, 10:44 AM by JRH with 8 comment(s)
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  • Uncle Joe

    OK, RDJ.  Gettin a little old, so we're movin kinda slow at the junction.

     A certain blog-queen has been taking photos around here, and thinks I should supply the descriptions.  The first one is an antique vacuum pump with bell jar. 

    Attachment: vacuum1.JPG (22519 bytes)

    This belonged to PWK, and I suspect that it was his inspiration to buy a more modern one (1940's) with a motor.  Paul wanted to measure acoustic impedance.  As all of us audio geeks know, a speaker's impedance is complex and consists of mechanical, electrical, and acoustic components.  Paul reasoned that if he measured a speaker's impedance in air, and then again in a vacuum, he could subtract the two and get to the acoustic contribution.  I never saw him do this, but the 1940's equipment is still in the museum basement.  Along with a big electro-shock therapy machine that I never got up the courage to ask about!

     Guess we'll see if my image actually attaches.............................

    Posted Sep 26 2007, 10:29 AM by JRH with 1 comment(s)
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  • Intro

    Greetings.  I'm the Klipsch resident old-f___ and self-appointed archivist.  I hope to sporadically contribute a few "nuggets from the archives" with this new-fangled communication medium.  Stats:

            - Engineering department

            - 29 year employee (next month)

            - collector of  collections

            - MCM-1900's in the barn

    Quick PWK story:  In the late 70's I had just started working for Klipsch (AND ASSOCIATES, dang-it).  My wife and I had planned a weekend trip to Fayetteville, AR, but our car decided to play dead.  Paul was quick to offer us his second car (Audi) with little or no strings attached.  We took him up on it, and while driving north on country roads, we had a bit of an eye-opener.  We were on a stretch of road that was elevated about 10-15 feet above the soybean fields on either side.  As I glanced to the left, I was staring right into the prop of a crop duster at essentially eye level.  Probably looked pretty silly ducking while driving.  Welcome to Arkansas farming! 

     

     

     

     

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