Here's the basic (no Q for clarity) Crown Xti settings. The picture is just the high frequency EQ settings.
Low frequency
108Hz -6db
180Hz -6db
300Hz -6db
370Hz +2db
High frequency - from the crossover point of 500Hz to 20Khz
Low shelf filter at 2.5Khz -8db
Hi shelf filter at 10Khz +5db That's a 13db difference between the bottom half of the horn and the top. Even just looking at the 5db boost from 10K and up is not insignificant or subtle.
1Khz -1db
1.48Khz -5db
2.3Khz -2db
3.5Khz -4db
5.32Khz +3.5db
12Khz -7db
I see a 15db difference in the EQ curve in the top horn. So maybe using the word "boost" is not correct, but "severe manipulation" of the frequencies is, in my mind, accurate. From an audiophile's perspective, it's far from what I desire in my living room system.
Now, in my shop, the MCM system gets similar manipulation, as do most PA systems and commercial installations everywhere. The tools used to manipulate the signal to tailor commercial systems to movie theaters, nightclubs, outdoor venues, etc... are very useful and necessary. I just don't want them in my audiophile system at home.
The two-way Jubilee, with the associated electronics needed to make it sound right, to me, is both impressive and disappointing. I can audition them and really knock people's socks off. Uncontrollable smiling. But living with them in my audiophile, living room system, is too difficult. I can't get around the extra stuff. With the upgrades I now have in my Khorns, I find myself drawn back to that sound, with the very simple signal chain - CD- Amp - Speaker. I can listen to my Khorns at lower volumes (95db - 100db) all night. With the Jubilees, I find myself always wanting to turn them up louder and louder, which tells me I'm not satisfied with the overall quality of the sound, and to get something out of my listening sessions, I end up going for the impact that they can certainly deliver.
Greg