Normal
0
false
false
false
MicrosoftInternetExplorer4
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-parent:"";
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin:0in;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:"Times New Roman";
mso-ansi-language:#0400;
mso-fareast-language:#0400;
mso-bidi-language:#0400;}
Square is bad. Cube is worse. These conditions will produce
multiple coincident room modes which will result not only low frequency augmentation
at specific wavelengths, but also cancellations.
The vaulted ceiling is good. Any disruption of parallel room
boundaries is desirable.
Stay away from the 18’ dimension as this is approximately the
same dimension as a 60Hz wavelength. Any electrical or electromechanical hum
will be reinforced.
Klipschorns R&L, Belle Klipsch center
trio of Luxman MB3045 triode power amps,
Audio Research SP6B preamp,
Linn LP12 w/OriginLive Ultra PS&motor, Morch UP4 arm, & Decca Jubilee pickup
Thorens TD125MKII/SME III/Shure V15-Vmr
McIntosh MX130, Nakamichi Dragon cassette deck, Sony A7 Digital audio tape deck
Shanling SCD-T200 sacd player, Denon 600F cd player
Topaz Line2 power regulation, Furman power conditioning/monitoring; and of course, the proverbial, dedicated, acoustically tuned, listening room
HT: Samsung HLT6187 61" DLP LED HDTV, Klipsch Chorus L+R, Klipsch RC7 center and L+R rear, Klipsch SW12, Harmon Kardon AVR130, Sony PS3