
Sketches Of Spain CD
Miles Davis arranged and conducted by Gil Evans
1960/1997 Columbia/Legacy Records
Amazon.com essential recording
Miles Davis's impact on jazz is almost incalculable. From his early
days as a sideman for Charlie Parker, through his groundbreaking Birth of the Cool
sessions, to his stunning small groups of the '50s and '60s, through to
his electric renaissance, the trumpeter, bandleader, and composer has
left a deep mark on all who came after. He is one of jazz's true
giants. Sketches of Spain, though one of Davis's most
commercially successful sessions, is also one of his most
controversial. Re-teaming with arranger and composer Gil Evans, who
played such a pivotal role in Davis's 1949 Birth of the Cool recordings, Davis recorded a series of large group albums beginning in the late '50s, including Porgy and Bess, Miles Ahead, and Quiet Nights. Sketches of Spain,
with its emphasis on flamenco, rich orchestrations, and relaxed tempos,
is certainly one of Davis's most mellow recordings (he even works out
on fluegelhorn), and proved to have broad appeal. To some critics,
however, the project was "elevated elevator music." An expanded version
of the album, featuring alternative tracks and unreleased material, was
issued in 1997 by Columbia Legacy. --Fred Goodman
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     | 1. | Concierto de Aranjuez |  |
     | 2. | Will O' the Wisp | $0.99 | |
     | 3. | Pan Piper, The | $0.99 | |
     | 4. | Saeta | $0.99 | |
     | 5. | Solea |  |
     | 6. | Song of Our Country - (bonus track) | $0.99 | |
     | 7. | Concierto de Aranjuez (Part One) - (alternate take, bonus track) |  |
     | 8. | Concierto de Aranjuez (Part Two-Ending) - (alternate take, bonus track) | $0.99 |
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Happiness makes up in height for what it lacks in length.
- Robert Frost
Of all noises, I think music is the least disagreeable.
- Samuel Johnson
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