[quote user="Salvador"] Just curious to see what type of TV audiophiles out there have.[/quote] Sony Trinitron WEGA 32"

[quote user="Youthman"]Yes, I wish my kid's basketball pics turned out 1/2 as good as my HT pics do. Fast action, low light and even with a 50mm 1.8 fast glass, it's still not as sharp as my HT pics.[/quote] I shoot a Nikon D700. With fast glass (f1.4-2.6) one can capture some really nice action shots due to the phenomenal ISO capability of that body.

Still have my set of 22's (maybe they were 26's - i'll have to check). Hammerheads indeed were the rage at one time. Had replaced my tips more than once. I'll have to look for them. Had no idea they'd be worth that today - although mine are much more used. My best throwing was with feathered flights. Cool posting. No interest in the purchase but cool posting. For those not specifically familiar with Hammerheads, the point retracts into the barrel upon contact with the Boar Bristle

Thank you all for the feedback. I do recall a "loudness" button on an older Technics amplifier that is long gone. Hadn't even thought of that on this current Yahama. Completely forgot about the sub's role in the particular application I am trying to get improved. Typically I leave it on auto - but for this application it does not turn on - so that is an easy fix to manually engage the sub. Further, will review the EQ settings - a very easy correction to my low volume issue. Truly

I paid $650 for mine. Black with some residual wear, but functionally sound and overall good condition. These were local enough to drive and pick up - (about an hour each way).

I would like for my KLF's to sound "fuller" at low volume. Meaning, they sound great at volumes near -25 but that is typically too loud for me. I would like to get the same "fullness" but at volumes closer to -50. What do I need to do to my setup or system to get the sound I am seeking? More powerful amplifier? Tubes? Crites upgrades? Any approximate cost estimates? This is specifically in regards to music not movies. Thanks.

I would start with the stools you prefer and build it around those based on the measurements of you sitting on those stools. Elbow height is critical. Are you eating plated food at this bar or merely munchies as this will affect the front overhang? Will you include a foot rest for those standing? The lean height when standing is important as well. L shaped bars have advantages when coming out from a wall and accomodating 5-8 people. 36"- 48" work space is typical between the front of the

Rear surrounds are the least important to timbre match. Even sides aren't "that" important. Most important is to match the front three. Everything else is an option. Obviously having all the same series (Legend, Reference, etc) maximizes the potential for the "best" sound - however lots of other factors are important as well. For me personally, I don't have enough supporting hardware (amps, preamps, wattage, Crites crossovers, tweeter upgrades, etc) to fully capitalize

If shelves are an option you could place KLF-C7's back there. I presently use one as a lone rear in a 6.1 set-up. Or another set of S6's.

After much research and comparisons, evaluating the Bose Compact, The Fishman SA220, Fender and Fishman accoustic amplifiers, Yahama/Mackie/Behringer/Peavey active mixers pushing passive speakers and passive mixers feeding active speakers (Mackie Thumpers), comparing Yahama/Mackie/CGM/Peavey/JBL 15" vs 12" vs 10" etc, I've concluded on what I feel is a bargain for my needs and sound. I am borrowing the Bose concept of a small subwoofer mated to an elavated speaker but using components